Every year has its Oscar bait picture (or three) but 2010's was most definitely The King's Speech. Indeed, it is an especially fine film, with superb acting from both Firth and Rush, although the former is getting most of the acclaim for his performance as stammering King George VI. Alexandre Desplat has become the go to composer for this kind of film and he never disappoints, even if there is the risk of him getting into a bit of a rut.
The King's Speech is one of those lovely, but not quite outstanding scores. It has a theme that is exactly what you imagine it should be; a pleasing piano melody, most notably in the titular second track. Orchestrations are generally string based with a little woodwind here and there and with a distinct melancholy at times, atlhough Desplat rarely lets a score drown in its own self importance and his touch remains light.
The finale speech itself is underscored with the slow movement from Beethoven's 7th Symphony. Fans have expressed annoyance that Desplat wasn't "allowed" to score it, but the composer has explained that it was a joint artistic decision with the director. One can't fault the choice, the grave ebb and flow of the Beethoven is perfect on screen and makes a nice coda to the album. Not a Desplat score that shines out amongst his best, but classy and perfectly poised.
Acquire from Amazon.com.
Acquire from Amazon.com.
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